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TED Residency. She is part of a cohort of amazing thinkers who are spending four months in the TED office, creatively taking on projects that are making significant changes in their communities, across many different fields. To learn more, click here to visit her TED page. Simone Leigh, the current artist in residence at the New Museum, convened this group in response to the continued inhumane institutionalized violence against black lives.

This dynamic evening featured collectively organized healing workshops, performances, digital works, participatory exchanges, displays, and the distribution of materials throughout the New Museum Theater, Lobby, Fifth Floor, and Sky Room.

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What are they rebelling against? Whaddya got? The original series is an unpretentious character study of lost young souls. The problem is that the HBO show seems to view its characters as lab rats that it can do unpleasant things to, and then record the results. It is well documented that Generation Z or Gen Z — those youngsters born between and is having less sex and consuming less alcohol and drugs than previous generations. But it would seem that this memo never reached either the HBO executives or Levinson, who himself suffered from drug addiction and depression as a teenager — which helps explain why this element is the most convincing part of his show.

The rule of thumb here is that if anything bad can happen to a character, it will. Unfortunately, a lot of the characters here feel overly familiar: The star quarterback convincingly played by Australian actor Jacob Elordi , whose toxic masculinity is far-too-neatly explained away in the opening episodes; the sensitive jock Algee Smith whose overexposure to porn has screwed him up; and the Snapchat-sorority sisters who agonize over their looks and potential partners.

So far, so predictable. That also serves as a perfect description of the show itself: a very narrow window of cool. But then come those rote Gen Z scenes featuring wild party scenes in fabulous homes, kids with intimacy issues and kids whose idea of communicating face to face is via emojis. You have to give the show credit for its depiction of drug use, kinetically capturing both the highs and the lows in increasingly inventive ways.

Can a millennial write a convincing show about Gen Z? Otherwise, it feels like a slightly voyeuristic exercise trying way too hard to be down with the kids.


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